1/31/2024 0 Comments Sony a7 vHere’s a list of what I believe are the best settings for each camera, when it comes to autofocus and birds in flight. This is because colour resolution has increased as well, due to each point on the image being captured by all three red, blue, and green pixels.Ī7 IV, 1/3200s, f/6.3, ISO 1000 – FE 200-600mm G The clarity and definition are significantly enhanced, and moiré is effectively eliminated. And while the Sony A7 IV also features 5-axis image stabilisation (which we’ll discuss the dedicated chapter), Sony has reserved this extra function for its high-end cameras, for now at least.Īs you can see here, the 96-megapixel file offers an incredible amount of detail. It then merges these 8 photos in-camera to create a final image with 96 megapixels of resolution. This function isn’t new you can find it on many mirrorless cameras, including some Sony models.Įssentially, thanks to the sensor-shift technology that provides 5-axis image stabilisation, the S5 can capture 8 frames in a row, shifting the sensor by half a pixel between each shot. There is a special feature you’ll find exclusively on the S5 mark II - the High-Resolution Mode. Weight: 658g (including battery and memory card).Extra Features: WiFi, Bluetooth, Bracketing, Intervalometer, Tethering, USB streaming, Dual Memory card slots.Movie recording: 4K up to 60fps, Full HD up to 120fps, 10-bit 4:2:2 internal, S-Log, S-Cinetone and HLG gamma.Rear monitor: Multi-angle 3″ LCD (1.04M dots) with touch sensitivity.Viewfinder: 0.5in OLED with 3.69M dots, 23mm eye point, 0.78x magnification and 120fps refresh rate.Autofocus: Hybrid with 759 phase and 425 contrast detection points.Sensor: 33.0MP 35mm format BSI Exmor R CMOS.Weight: 740g (including battery and memory card).Extra Features: WiFi, Bluetooth, Focus Bracketing, High Resolution Mode, Intervalometer, Dual SD slots.Movie recording: 6K 30p open gate, 5.9K 30p, 4K up to 60p, Full HD up to 180p, 10-bit 4:2:2 internal, V-Log. Rear monitor: Multi-angle 3″ LCD (1.84M dots) with touch sensitivity.Viewfinder: 0.5in OLED with 3.69M dots, 21mm eye point, 0.78x magnification and 120fps refresh rate.Continuous shooting: 9.7fps, 30fps with electronic shutter.Autofocus: Hybrid with phase and contrast detection.To know more about our ethics, you can visit our full disclosure page. If you buy something after clicking one of these links, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about this product, nor were we provided any compensation of any kind. I’ll explain why this is important in the autofocus section, but in a nutshell, I was curious to see if a Lumix full-frame camera could now compete head-to-head with one of the most popular mirrorless out there.Įthics statement: the following is based on our personal experience with the A7 IV and S5 II. These cameras, despite being pretty cool on paper, aren’t as popular as the ones from Sony, Canon, and Nikon, so I have to be selective.įor the S5 mark II however, I decided to make an effort, not only because some of my readers have been asking for it, but also because Panasonic has finally implemented phase detection autofocus. It wasn’t my intention to ignore Lumix over the past couple of years, but as an independent and solo camera tester, I simply don’t have the time to try every single product that hits the market. Actually, the last time I got my hands on one was back in 2019, when I took the S1R full-frame camera, and the G9 micro four thirds camera, for a trip to Scotland. I’ve written about the Sony A7 IV multiple times on this website, but it’s been a while since I had the chance to test a Panasonic camera.
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